Project Description

Frederic Sackrider Remington (Canton 1861 – Ridgefield 1909), TheBronco Buster

Bronze sculpture cm 56 x 46 x 28 signed on the base.

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The Bronco Buster (also spelled “Broncho Buster” as per convention at the time of sculpting) is a sculpture made of bronze copyrighted in 1895 by American artist Frederic Remington. It portrays a rugged Western frontier cowboy character fighting to stay aboard a rearing, plunging bronco, with a stirrup swinging free, a quirt in one hand and a fistful of mane and reins in the other. It was the first and remains the most popular of all of Remington’s sculptures.

The sculpture – that offered here is one of the several known versions – was executed in the summer of 1895, and later that fall it was copyrighted with the United States Copyright Office. He took his subject from “A Pitching Bronco”, an illustration of his that had been published in the April 30, 1892, issue of Harper’s Weekly. Sculpting was a new medium for Remington at this time, and this new method of portrayal was a total success in the eyes of his collectors and art historians. Breaking away from the restricted limits of flat paper, pen and ink and watercolor, Remington moved to the next level of his artistic potential, through the more effective medium of three-dimensional expressions.

Frederic Sackrider Remington

Remington, who always strove to capture the essence of the moment in his work, now found he was more able to effectively express that which he had observed first hand: “Only those who have ridden a bronco the first time it was saddled, or have lived through a railroad accident, can form any conception of the solemnity of such experiences. Few Eastern people appreciate the sky-rocket bounds, grunts, and stiff-legged striking.”

With this in mind, he decided to sculpt a bucking bronco for his first piece. Using techniques from his previous works to help focus the subject’s figure, Remington removed the figure from its context and isolated it into a grounded free-floating form, thus achieving a lifelike quality and vigorous movement. The artist’s reference file for the sculpture included a photograph of a cowboy that very closely resembled his 1892 illustration of A Bucking Bronco. The Bronco Buster followed the same kind of process liberating horse and man from two-dimensionality as before.